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supported by 52 fans who also own “haunting, haunting, I leave my suffering here”
Une musique du clair-obscur et des lointains intérieurs, par laquelle nous sommes à la fois emportés et ancrés. Une musique qui se meut, se mue, se meurt et renaît à nos oreilles avec insistance, faisant à chaque fois vibrer l’être et le monde tout entiers de sa tonalité intime, grave et profonde. Interview d'Aleksandra Słyż en français : https://www.larevuedesressources.org/Un-contact-vibrant.html yann-leblanc
In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal. Bandcamp New & Notable Mar 7, 2020
supported by 48 fans who also own “haunting, haunting, I leave my suffering here”
Spacey, electronic sounds are brilliantly counterpointed by the recordings of nature, and the heaviness is balanced by subtle guitar chords. Niesner avoids pathos and opts for rather subtle nuances, imaginative arrangements, and a dramatically constructed lyrical story.
More: https://thequietus.com/articles/32149-czech-music-guide-tomas-niesner-irena-and-vijtech-havlovi-gurun-gurun Jakub Knera